Menu
![Torrent Torrent](/uploads/1/2/4/9/124933007/519967211.jpg)
Index Of Series, Download Series 2017,2018, Download New Series, Download New Serial.
Logo
Narcos is an American crimeweb television series created and produced by Chris Brancato, Carlo Bernard, and Doug Miro. Season 1, comprising 10 episodes, originally aired on August 28, 2015, as a Netflix exclusive.[1]
Set and filmed in Colombia, Seasons 1 and 2 tell the story of notorious drug kingpin Pablo Escobar, who became a billionaire through the production and distribution of cocaine, while also focusing on Escobar's interactions with drug lords, DEA agents, and various opposition entities.[2][3] Season 3 picks up after the fall of Escobar and continues to follow the DEA as they go up against the rise of the infamous Cali Cartel. The series was renewed for a second season, which premiered on September 2, 2016, and had 10 episodes.[4] On September 6, 2016, Netflix renewed the series for a third and fourth season.[5] The third season premiered on September 1, 2017. In December 2017, Netflix announced that Michael Peña and Diego Luna are set to star in season 4 which will take place in Mexico.[6]
- 2Episodes
Series overview[edit]
Season | Episodes | Originally released | ||
---|---|---|---|---|
1 | 10 | August 28, 2015 | ||
2 | 10 | September 2, 2016 | ||
3 | 10 | September 1, 2017 |
Episodes[edit]
Season 1 (2015)[edit]
No. overall | No. in season | Title | Directed by | Written by | Original release date |
---|---|---|---|---|---|
1 | 1 | 'Descenso' | José Padilha | Chris Brancato and Carlo Bernard & Doug Miro | August 28, 2015 |
2 | 2 | 'The Sword of Simón Bolivar' | José Padilha | Chris Brancato | August 28, 2015 |
3 | 3 | 'The Men of Always' | Guillermo Navarro | Dana Calvo | August 28, 2015 |
4 | 4 | 'The Palace in Flames' | Guillermo Navarro | Chris Brancato | August 28, 2015 |
5 | 5 | 'There Will Be a Future' | Andi Baiz | Dana Ledoux Miller | August 28, 2015 |
6 | 6 | 'Explosivos' | Andi Baiz | Andy Black | August 28, 2015 |
7 | 7 | 'You Will Cry Tears of Blood' | Fernando Coimbra | Dana Calvo & Zach Calig | August 28, 2015 |
8 | 8 | 'La Gran Mentira' | Fernando Coimbra | Allison Abner | August 28, 2015 |
9 | 9 | 'La Catedral' | Andi Baiz | Nick Schenk & Chris Brancato | August 28, 2015 |
10 | 10 | 'Despegue' | Andi Baiz | Nick Schenk & Chris Brancato | August 28, 2015 |
Season 2 (2016)[edit]
No. overall | No. in season | Title | Directed by | Written by | Original release date |
---|---|---|---|---|---|
11 | 1 | 'Free at Last' | Gerardo Naranjo | Adam Fierro | September 2, 2016 |
12 | 2 | 'Cambalache' | Gerardo Naranjo | Zachary Reiter | September 2, 2016 |
13 | 3 | 'Our Man in Madrid' | Andrés Baiz | Zachary Reiter and Steve Lightfoot | September 2, 2016 |
14 | 4 | 'The Good, the Bad, and the Dead' | Andrés Baiz | Teleplay: Zachary Reiter and Carlo Bernard & Doug Miro Story: T.J. Brady & Rasheed Newson and Steve Lightfoot | September 2, 2016 |
15 | 5 | 'The Enemies of My Enemy' | Josef Wladyka | Teleplay: T.J. Brady & Rasheed Newson and Carlo Bernard & Doug Miro Story: T.J. Brady & Rasheed Newson | September 2, 2016 |
16 | 6 | 'Los Pepes' | Josef Wladyka | Julie Siege | September 2, 2016 |
17 | 7 | 'Deutschland 93' | Josef Wladyka | Carlo Bernand and Doug Miro | September 2, 2016 |
18 | 8 | 'Exit El Patrón' | Gerardo Naranjo | Teleplay:Gideon Yago & Curtis Gwinn Story: Gideon Yago | September 2, 2016 |
19 | 9 | 'Nuestra Finca' | Andrés Baiz | Julie Siege & Clayton Trussell | September 2, 2016 |
20 | 10 | 'Al Fin Cayó!' | Andrés Baiz | Carlo Bernard & Doug Miro | September 2, 2016 |
Season 3 (2017)[edit]
No. overall | No. in season | Title | Directed by | Written by | Original release date |
---|---|---|---|---|---|
21 | 1 | 'The Kingpin Strategy' | Andi Baiz | Carlo Bernard & Doug Miro & Eric Newman | September 1, 2017 |
22 | 2 | 'The Cali KGB' | Andi Baiz | Carlo Bernard & Doug Miro & Eric Newman | September 1, 2017 |
23 | 3 | 'Follow the Money' | Gabriel Ripstein | David Matthews | September 1, 2017 |
24 | 4 | 'Checkmate' | Gabriel Ripstein | Andy Black | September 1, 2017 |
25 | 5 | 'MRO' | Josef Wladyka | Ashley Lyle & Bart Nickerson | September 1, 2017 |
26 | 6 | 'Best Laid Plans' | Josef Wladyka | Jason George | September 1, 2017 |
27 | 7 | 'Sin Salida' | Fernando Coimbra | Santa Sierra & Clayton Trussell | September 1, 2017 |
28 | 8 | 'Convivir' | Fernando Coimbra | Andy Black | September 1, 2017 |
29 | 9 | 'Todos Los Hombres del Presidente' | Andi Baiz | Jason George & Carlo Bernard & Doug Miro | September 1, 2017 |
30 | 10 | 'Going Back to Cali' | Andi Baiz | Carlo Bernard & Doug Miro | September 1, 2017 |
References[edit]
- ^'Netflix Orders 10 Episodes of Pablo Escobar Drama 'Narcos''. Hollywood Reporter. April 1, 2014.
- ^'Netflix Plans To Create Original Series About Colombian Drug Lord Pablo Escobar'. Fox News. April 2, 2014.
- ^'Netflix's 'Narcos' Series On Pablo Escobar 'Will Be Like Nothing Ever Seen Before''. Huffington Post. May 3, 2014.
- ^''Narcos' Sets Season 2 Premiere Date'. Deadline. June 13, 2016.
- ^Hibberd, James (September 6, 2016). 'Narcos Renewed for Two More Seasons'. Entertainment Weekly. Retrieved September 7, 2016.
- ^Matt Webb Mitovich (December 19, 2017). 'Narcos Season 4 Casts Michael Peña and Diego Luna, Reveals Mexico Setting'. tvline.com.
External links[edit]
- List of List of Narcos episodes episodes on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=List_of_Narcos_episodes&oldid=892819722'
Narcos
Season 4 Episode 1
Photo: Carlos Somonte/Netflix
New Narcos, new narcos! Goodbye Pedro Pascal, goodbye Boyd Holbrook; hello Michael Peña, hello Diego Luna! Though Narcos: Mexico is technically a sister show to Narcos rather than its fourth season, it shares enough of the same DNA that the transition shouldn’t rattle you too badly.
Though some of the show’s politics remain funky — the fact that the drug war is ongoing and that culpability may lie in more places than we care to admit, a striking point that can’t quite find a balance with how the show discusses marijuana — this season promises to deliver a story much more narratively compact and streamlined than what we’ve seen previously. That has everything to do with the story being told, which is much less of a chase than the hunt for Pablo Escobar. In case you’re not familiar with the historical ground the season is covering and don’t want to be spoiled (for lack of a better way of putting it), I won’t give it away, but the first episode of the season alone makes it clear that the playing field is a small one.
From their respective introductions, it’s clear straight off the bat that Félix Gallardo (Luna) and Kiki Camarena (Peña) are well matched. In his first scene, Gallardo, a Sinaloan state cop, strolls straight into the middle of a military operation and apprehends their target, Rafael Caro Quintero (Tenoch Huerta), without a scuffle — and lets him go as soon as they’re out of police sight, so that he and Rafa can see about saving what they can of their marijuana operation. And DEA Agent Camarena, in Fresno, bullshits his way through an undercover drug bust (though he quickly has to contend with a local police operation not believing that anyone brown could be in law enforcement).
The rest of the episode is moving pieces across the geographical board — everyone needs to get to Guadalajara before the story really gets going — but the expositional gambit works. It’s the season premiere, so we’re still learning about these characters, meaning that there’s still plenty of narrative meat on the show’s bones as it works its way through the setup.
The more we see of Gallardo, the scarier he becomes. He’s a family man, sure (his wife gives off slight Lady Macbeth vibes), but he’s also unafraid to shoot a man in the middle of a crowded public space in broad daylight in order to get a point across. (Sidebar: Is it weird that I love when Diego Luna is mean? Having the sweet-faced actor play someone so ruthless is such a delightful subversion of expectations.)
He’s the one to suggest that the Sinaloa drug operation make a move to Guadalajara, reasoning that the police won’t be able to use as brutal tactics in a city as in the countryside. Then, in the ultimate flex, he takes Don Neto (Joaquín Cosio), who has been negging him at every possible turn, along with him and Rafa to make the deal that’ll let them set up shop, and proceeds to bulldoze all of his advice by shooting the gangster they’re supposed to meet and thereby escalating their case directly to police agent and drug lord “El Azul” (Fermín Martínez). It’s a gamble, but it works. El Azul is impressed enough with Gallardo’s attitude and with Rafa’s know-how (he’s the Jesse Pinkman of the equation, it would seem) that he kills the dead gangster’s angry brother on the spot.
Back in Fresno, Kiki makes a gamble of his own, taking a job in Guadalajara when it becomes clear that his career in California has hit a bureaucratic dead end. At first, it seems like he’s just about to hit the same wall in a different place, as his superior officers make it clear that they don’t make any arrests, instead spending their nights buying drinks for everyone and passing along what information they gather. The only improvement seems to be that his coworkers are less overtly racist, if at all.
But Kiki, like Gallardo, is ambitious. He knows the CIA (who have street cred, unlike the fledgling DEA) has its fingers in the pie, and a quick look around the watering hole reveals cops and drug lords (including El Azul) alike. That revelation is the final shot of the episode, and it’s a thrilling cap to the hour as well as a promising jumping-off point for the rest of the season.
Seeds and Stems
• Again, Narcos: Mexico is a companion series, so let’s thank our lucky stars that it uses the same theme song, “Tuyo,” which remains one of the sexiest opening credits songs in recent memory.
• To return quickly to “I love when Diego Luna is mean,” there’s something chilling about the way Gallardo is willing to sit right next to a freshly dead body as he waits for the next phase of his plan to kick into motion.
• Don Neto is a pain, but I have to admit that I laughed when he took one look at Rafa heading off into a college building with a pink backpack and asked, “Is he looking for vocational guidance or what?”
• R.I.P. the Naranjo brothers and their bowl cuts.
• A potentially boring bullet point: the risk inherent in telling the story of something that actually happened is that that knowledge can lower the dramatic stakes. If you already know what happens, who lives and who dies, a little of the tension saps out of the room, and it’s up to how the story is told to pick up the slack. Based on one episode, I’m tempted to say that I think Narcos: Mexico will pull it off à la Better Call Saul, but we’ll see if I have to eat my hat by the end of the season.